我女友是二嫂

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

　　在个人和融入之间，如何不被扭曲活出真我？一部关于自我价值和身份认同的作品——聋人不再是作者的设定，而是主人公，我们不只看得见声音还听得到静音。三位赤诚的聋人青年，出身自不同的家庭，因为不同的机遇和身体状况，对聋人身份和处境有着不同看法和态度。一个活得自信，一个努力融入，一个则不敢苛求。手语把三人连上，现实却撞得彼此遍体鳞伤，他们能否走上耳目一新的一章？避过一切猎奇怜悯的眼光，以最严谨真诚的态度取得微妙平衡，舞动的手语带动情感流动，由衷的尊重充满每一个角落。选角用心精准，令每位大小演员都散发出亮眼的光芒，游学修、钟雪莹和吴祉昊细致的演出更是真挚动人。

小丽和丈夫过着安稳的生活，老公赌博导致家庭破裂，小丽离婚后要找条件优渥的男性再婚，认为找到一个经济稳定的男性就能幸福，母亲也一再灌输依靠男人的思想，经历多次挫败后重新发现自我，开始独立面对生活困境，积极乐观的生活。

　　伊格杨的第四部作品，被视为他的经典作品。　　在放映室内，新来的检查员在主检官注视之下企图强暴希拉，希拉回身逼视主检官，仍在放映中的影片投射在希拉狂笑中的脸庞上，光影由青绿转深蓝，似乎希拉压抑潜藏的庞大欲望在阻断投影之同时呈现于自身。此事之后，希拉似乎开始了解自身欲望的真貌，也停止了在影像中寻找欲望投射的对象。她洗净浓妆，放下长发，带著孩子与姊姊离开了仍旧周转于客户之间的诺亚，也离开了欲望扮演的无尽循环。