与上司的地方出差：被压榨的女职员
老眼、宅男、无能的经理鸣艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他在工作中总是被嘲笑，唯一的快乐是基拉凛，一个有着漂亮笑容的优秀员工。然而，当她去同一个地方出差时，她被抓获并接受了任务。目睹这一幕后，他一时感到尴尬，一时冲动，强奸了她。震惊还没过去，他又以此为借口威胁她
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此时此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奥,田边桃子,Lou Veloso,Buboy Villar,结城贵史职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。
看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
安娜和世界末日
艾拉·亨特,马尔科姆·卡明,莎拉·斯维尔,克里斯托弗·莱沃,玛里·休,本·威金斯,马克·本顿,保罗·凯耶,肖恩·康纳,约翰·温切斯特,艾拉·贾维斯,杰基·伯德一部混杂音乐剧和丧尸电影的喜剧片，这部僵尸歌舞片的框架基于2010年英国电影学院奖获奖短片《僵尸音乐剧》（暂译）（ZombieMusical），讲述了一大波僵尸穷追猛打一撮人，他们边唱边打，不断求生的故事。电影取景地为苏格兰，由艾拉·亨特出演安娜，马克·本顿饰演安娜的父亲，保罗·凯耶出演反派。
彼得·潘的梦幻岛噩梦
彼得·德索萨 Peter DeSouza-Feighoney,马丁·波特洛克,Megan Placito,尼古拉斯·伍德,凯利斯顿·韦勒英,Chrissie Wunna,珍妮·米勒,凯莉·里安·桑松,Amanda Jane Cooper,亚当·斯皮尔斯,Charlotte Jackson,Kat Green温蒂为了救回被掳走的弟弟麦可，不惜踏入「邪恶彼得潘」的血腥炼狱。她在那里还遇见了被毒品腐蚀、形容枯槁的小叮当。温蒂将要面对的不仅仅是扭曲的童话，还有那令人窒息的恐怖真相。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
劫车
Ron Perlman,Saffron Burrows一部更加刺激的惊悚片,今年隆重上映" 两次金球奖提名,《头号疑犯》的玛利亚·贝罗担任主演罗琳:一位饱受压力的单身母亲,受到前夫虐待的困扰,辛苦抚养8岁的儿子.她和儿子的世界被银行抢劫(斯蒂芬·多尔夫饰演伊莫托斯)在逃犯劫车以后瞬间被改变,他想重新得到自己的战利品.但是罗琳拒绝成为他的受害者.她准备控制然后反击.今夜,她为了生存做的事情,即将引领最让人震惊的犯罪.乔安娜·卡西迪(《六尺风云》)与凯瑟琳·丹特(《盾牌》)联袂出演这部紧张的动作惊悚片